Software sampling certainly isn’t new by any means, nor is it to Logic Pro X, but this technique of quick and immediate sound recycling has now been laced throughout the LPX 10.5 production environment and has a dedicated home with Quick Sampler.
It perfectly accommodates a popular instant sampling workflow where producers pull sounds from anywhere - recorded off a phone, stolen off the internet, clipped from Apple’s library, etc - and then loop, chop, pitch, and program them into interesting musical ideas. Logic Pro X 10.5’s new Quick Sampler completely changes the way users interact with the audio and creative resources around them. You will also get a £15 off your next purchase.
This tutorial is aimed at students on the A level Music Technology, BTEC & Rock School courses. The Tutorial covers the following processes and techniques,īy the end of this tutorial you will be able to start to manipulate this sample in an intuitive and confident manner, and you should be able to go on and start manipulating your own drum loops in a creative way. These are the sort of processes and techniques that the early samplers would have had available, and the tutorial sticks to editing within the EXS24 plugin to replicate this type of manipulation.
This tutorial uses Logic Pro X and the built-in EXS24 Sampler plugin to show the basic techniques of drum sampling and audio manipulation. The ability to take a drum loop from another piece of music and use it for your own composition was instrumental (literally!) in spawning Drum & Bass, as well as Happy Hardcore, Jungle, Trip Hop, House, Trance etc… If you want to write decent dance music, the chances are that you will want to use a sampler in some way.īack then you had use actual hardware like the AKAI S1000 or EMU-64, but now there are plenty of samplers and available inside the sequencer software on your computer. Drum sampling is a standard part of writing modern electronic dance music.
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